GOTO ISLE OF LOVE

Walerian Borowczyk’s second feature was just as original as his first. Almost entirely live action this time, it is situated on the archipelago of Goto, which has been cut off from the rest of human civilisation by a massive earthquake and has consequently developed its own arcane rules. Melancholic dictator Goto III (Pierre Brasseur) is married to the beautiful Glossia (Ligia Branice), who in turn is lusted after by the petty thief Gozo (Guy Saint-Jean) as he works his way up the hierarchy. Its thinly veiled critique of totalitarianism saw it banned in both Communist Poland and Fascist Spain (to Borowczyk’s delight), but the film is most notable for its uniquely original atmosphere, in which bizarre props and sets (designed by Borowczyk himself) are given as much weight as the human actors. Its grave beauty is underscored to perfection by one of Handel’s organ concertos.